Monday, 24 April 2006

Contes de Perrault










It is somewhat ironic that the well educated lawyer Charles Perrault (1628-1703), who helped establish the French Academy of Science and whose writing in support of literary modernists was an antecedent to the Age of Enlightenment, is best remembered for popularizing the fairy tale genre. The new Age was not particularly partial to fantasy stories.

In 1697 he released a short book of 8 stories which were adapted from well known plots from the oral folk tradition. The original title was: Histoires ou Contes du Temps Passé, avec des Moralités: Contes de ma Mère l'Oye ('Fabled or Moral Stories from Times Past: Tales of Mother Goose' {my rendering}) and Perrault coyly published it under his son's name. Stories such as Puss in Boots, Cinderella and Sleeping Beauty are obviously still universally known from both book and film versions.

The lush art nouveau illustrations above by Félix Lorioux were released in a 1927 publication -- Contes de Perrault -- in which the text of 3 stories is greatly overshadowed by the artwork. Large format images of ~30 illustrations are online at Universitätsbibliothek Braunschweig (table of contents).

Sunday, 23 April 2006

The Art of Fencing






Regole di Molti Cauagliereschi Esercitii by Federico Ghisliero was first published in 1587 and joined a long line of European fencing manuals. There is very little information directly about this work or its author online. I presume that the heraldic miniature painting above is a bookplate of sorts.

One interesting sidenote to the publication - it was printed with about 30 blank pages and it appears that all of the illustrations were added by hand later, copied from a master draft. Hence, no 2 copies would have been the same; for those in which the sketches were actually added. The book is about 190 pages long and divided into theory and practise.
[As much as library stamps and copyright notices make for interesting
accoutrements to a 450 year old text, I chose on this occasion to remove them.]







Domenico Angelo (1717-1802) led something of an idyllic life. His wealthy merchant father supported his son's travels around their native Italy and Europe when Domenico was a young man.

During a 7 year stay in Paris, Angelo was privileged to receive training in horsemanship from Master equestrian: Monsieur de La Guerniere; learned dance from Gaetan Blathasar Vestris, the first dancer at the Paris Opera, and was instructed in fencing by the renowned Monsieur Teillagory. He also had an affair with the actress Peg Worthington who brought Angelo to England.

In England Angelo won some important fencing battles and established his School of Fencing, where the elite of British society gathered to learn swordsmanship and horse riding. The school was to remain in his family for generations and was still operating in the early 20th century.

Britain may have been something of a backwater in fencing instruction but Angelo's publishing in 1763 of his L'École des Armes, avec l'explication Générale des Principales Attitudes et Positions Concernant l'Escrime ('The school of fencing with a general explanation of the principal attitudes and positions peculiar to the art') was a watershed contribution in the history of fencing manuals. Diderot for instance published unedited sections and illustrations in his Encyclopédie.
Previous tangentially related: I, II, III.
(actually, there may be more semi-related posts --- another reason I need to go through the archives and post them all to del.icio.us. I guess the fact that I think about this more and more means that it is probably closer to being made manifest).

The Disconnect

Tiger Hunt, Elephant Mounted by Indians
Antoine-Louis Barye c. 1836

Karl Bodmer from his sketchbook 1836-1844







Thursday, 20 April 2006

Medieval Satire








These are just a few manuscript vignettes found in the wonderful Liber Floridus database. All the above images are from the 14th or 15th century. This site hosts illuminated manuscripts for les bibliothèques Mazarine et Sainte-Geneviève.

The 1600 manuscripts (31,000 images) can be accessed either individually or via the iconography searching section (as I did). I clicked on 'thésaurus' near the bottom of the iconographique page and went trawling randomly through the huge list of keywords. [previously]

Wednesday, 19 April 2006

Dulac on Andersen






I sometimes follow Suzanne's lead and check out the recent Project Gutenburg publications.

Most of the time I'm disappointed with the quality of the illustrations but I was pleasantly surprised today to find great images in Stories from Hans [Christian] Andersen with Illustrations by Edmund Dulac. First published 1911.

A modest set of Dulac covers. I'll probably come back and do a more extensive post on Dulac sometime in the future. Nice work.